"Good thing come to those who wait, they say, and at last - three decades on from its inauguration - Robert Levin's survey of Mozart's music for piano and orchestra draws to its conclusion ... Common throughout the series is Levin's exploraty approach to the solo part, going far further than the notes as they appear on the page ... While som may find his incursions over-fussy, they are by and large ear-catching and persuasive ... If Levin's interventionist but period-informed approach is up your street, then this generous and sumptuously presented package is eminently recommendable"